1/11/17

After the presentation at Archway, I went home to work on my homework. I noticed that I have been using paper throughout the whole process and not using much fabrics threads and yarns, so I decided to use mostly yarns for my collection. After finishing the 7th sample I made with yarn, I realized something was wrong. I made a huge mistake focusing too much on the textiles and colors, and the brutalist quality was somehow completely missing. I went back to my sketchbook and realized I did not capture the strong and geometric shapes that reflect the brutalist characteristics. Nor repetition. As I looked through the drawings, I could almost see the existence of space, which was also missing in my samples. I did not want to continue with what I had,so I decided to make a brand new collection, using yarns. It was very hard to show shapes working with yarn and I am not a skillful knitter, so I attempted to manipulate the knitted yarns like fabric and tried to make them 3 dimensional. It was interesting when I distorted them, they created patterns like the shapes I developed in my research

31/10/17

1. How have you challenged scale today?

Today was all about transforming the data we have collected onto pieces of white paper. I loved the first exercise we did. It was amazing to see what I could come up with based on my textiles collages. Transforming 2D into 3D brought 'colors' to the white paper as the structures we built created space. It showed me that textiles should not be limited in a flat surface, it can be structural, like fashion

2. What exercise completed today would you develop further?

I found the paper yarns we made quite interesting. Not only the material we use was uncommon, but also the the structure. I loved playing with the idea of space. It was about using a 2D material to transform something that's usually 1D into 3D. I could not imagine a 'sweater' waved by yarns with structures. It would be amazing. I definitely want to develop this exercise further, because other than the change made on dimensions, we also experienced collaging different yarns together, considering the composition and how they would interconnect together.  

3. Which piece of work has been your most successful and why?

I would say the first exercise has been the most successful and I think I used the research from my work very well as I could see elements from my textiles collages very clearly. And I liked the outcome a lot, I think they looked very delicate and beautiful.

30/10/17

We went to a very new and exciting place for our class in the morning today at the Barbicans. I loved the environment there but to be honest I did not feel very motivated overall. As I was doing my observational drawing, I realised that although I used a variation of materials and colours, the drawings look very much the same, which was probably what upsets me. I did not have a chance to make any changed but I will spend more time working on it on my own time.  As for the collage corresponding to the environment, although my group members and me we were all confused at the start we fixed it after talking to Katie. The ground looked very interesting with all the rectangular tiles in shades of red, so we chose to use it as our 'canvas' and waved yarns over top of it. Fortunately I became more engaged this afternoon. We produced textile prints in 3 stages, and I learned that textiles are not limited into 2D, they can come out of the flat surface as well, to have structure. 

Jiwon Wearing My Garment

23/10/17

Today was the first day in fashion&textiles. I looked at people's work and the materials they used which really inspired me. We used elements from our research drawings to develop ideas. The drawing I thought I would take the least from actually gave me most amount of ideas. When we drew our shapes on other people's sketchbook I realized half of us like me chose pink so I secretly changed the colour to purple, which in my opinion created a better result because when I drew on other people's sketchbooks, I considered the shapes and colours that were on there already and incorporated my shapes in a way that I thought was appropriate and interesting. Last time I transformed my 2D shapes into 3D I missed the point of doing it. Now I knew that tapping the shapes together seam to seam is like patterning making and sewing the seams together, creating a new form.  Last time I made the paper garment, I used very geometric forms, so today I drew really organic ones. But I realized the shapes I drew was to big and I was running out of time tapping all the seams together, so unlike last time where I used all the shapes today I ended up using four. Next time I would not make the shapes so big because I want to have more elements to manipulate with and also save time. But the result was very different from the last one, which I was happy with.

2D into 3D Form

12/10/17

It's been an exciting week in fashion and textiles. The best lesson I have learnt was how to do primary research and how to communicate fashion with drawing and collaging. Before this week I always looked for photos online and works done by famous artists, and I neglected the things around me. Now I know that ordinary things can be presented in a very interesting way and they can be transformed into structures, shapes, patterns and prints. Blind drawing and continuous-line drawing really helped me get to know the way our bodies are built and the relationships between each part of the garment. Different fabrics create different textures, winkles and drapes as well.  In class, we use lines, paper, fabric, yarns, thread as a language to help us communicate our ideas. I enjoyed drawing illustrations by listening to music, which we did this morning. It helps me change my drawing techniques because the way I looked at the garments as my mood changed with the music. We also used paper collage to represent the garments that the models were wearing. In the afternoon, we worked in groups with people whom we don't usually work with. It was really unexpected that our team work went very well. We started with which parts we were interested the most and it seemed like we all enjoyed making things with our hands and everyone seemed a bit tired of drawing illustrations. I really liked how everyone share ideas and everyone was listening.  Then we made the decision that we can build a textile installation with things we had, such as black garbage bags, transparent plastic, masking tapes, and paper, etc. We first worked individually, making whatever we wanted. Then we started organizing them together, putting them up on the window. We arranged each piece until it was at the best place. And my team members would give suggestions on what worked and what did not. And it was really nice to see what other groups had done. I really liked a video that a group made. It was like what we did on Tuesday, making prints and projecting it. I saw lots of colours, especially purples and blues. And they put their prints in many layers and turned them around. It looked magical. And another group worked on shapes and constructions and designed a really gothic- looking costume with black garbage bag and plastic bags filled with air as a crinoline that supports the dress. We could all get creative with daily objects and made them into fashion and textiles. 

Gothic-Looking Costume

This is work done by another group which I think worked very successfully. The hat looked very dramatic, almost like a black rose. The whole outfit matched very well with model's hair and appearance. Black plastic bag almost looked like leather with that shininess it created. Also nice textures were created purposely on the dress. Plastic bags were used very well in terms of the construction. 

Objects Brought

Research Process

09/10/17

THIS IS THE MOST HAPPIEST DAY SINCE SCHOOL STARTS!!     

I suppose this is the last week of diagnostic pathway, and finally it comes fashion!  This morning I was drawing in my weirdest positions, and I could literally feel that the strangers passing by were looking at me drawing on the ground, but it was okay I enjoyed it. I tried to look at the structures around me in a different way so I could find different shapes and patterns, and I drew with mostly markers because they gave the best results. Although I tried with fineliners, charcoal, and pencils, they could not create defined shapes but ones that were rather blurry.  Then we looked for shapes from our research, re-positioned them and overlaid them, creating a new pattern. I felt free as I drew because I knew it was completely acceptable to have a crappy page and my sketchbook looked messily colourful, which I loved so much. And we transformed 2D shapes into a 3D structure by taping the edges together seamlessly. It led to the project which we would be doing in the afternoon, where we cut out shapes and then tape it onto our partners like dressing them up. I really really wanted to blame my partner for cutting out the most weirdest 'shapes' ever but it was really fun as I was trying to figure out how everything could work out, and the result was something that I would never think of. Then I made some sketches from the garment I made with different methods, such as blind drawing, contour drawing, and continuous drawing. Today was really inspiring in terms of how we could do research, find shapes, transform 2D into 3D, and document the results. 

05/10/17

For the last project within the 3DDA curriculum, we studied architecture and built models as groups. It was surprising that, in this course, I felt the art side weighed more than the scientific side of architecture. We were encouraged to think freely and boldly, moving out of our comfort zone. I had to admit that I had literally no creativity when it came to architecture, but this project was not as bad as the chair project. Our task was to build two purposeless models that stand by their own, and later join them together. It was really fun working as a team as we were all engaged in group discussions and solving problems in terms of what shapes to create or how to make the models more stable. The highlight of today was in the afternoon, when we are asked to join another group and combine our models together. We found a group that used similar structures like we did, but we were separated by the tutors because they wanted us to challenge ourselves, so we were paired with another group that had a significantly larger scale. It was hard to join two models but in the end we decided to make a bridge that went up and down as a connection. There was some problems in terms of the length of the sticks and keeping the model stable.  Also the sticks kept coming out from the joint so we had to fix it all the time, which bothered me a bit. But the final outcome was successful, and the lines looked cool and beautiful. Although we accidentally created a weird shape that drove everyone mad, we learnt to accept it. One of the guy in my group was interested in architecture but found it very restricting when he worked as an intern in a company in Montreal, so he wanted to do fashion inspired by architecture, which inspired me a lot. Although I am not a fan of fashion with geometric shapes, but I thought it would be cool to build it as a strong shoulder piece, or a piece of jewelry if it were in a very small scale. 

03/10/17

We moved from JFFA to product design today, which was from an area that I had many interests in to an area that bored me. Function takes a lot of space in product design, more than form, but I generally like things that are visually compelling. I have to say that I liked nothing about today's class except for the observations we did as research. Through the observation I noticed many habits people share in common or have differently from other people. But we all tried to find the most comfortable way when sitting, which inspired me a lot. So when I started designing chairs, I tried to make them multi-functional and as comfy as possible. I loved this way of making observations because it was helpful for my design.  I could relate everything to me or things that I noticed because I had experienced myself and my design will persuade me the most.  I will definitely use it again in the future as a way of researching. 

How did your experience of the PD+C area compare with your expectations? Which pathway are you considering for part 2?

As I was reading the project brief last night I knew I would not like today's project because I never had any interests in furnitures. I hated shopping IKEA when my parents bought a new house, and I never really thought about the design behind any products because I always thought they were just the way they should be. However my opinion upon that changed indeed after the presentation this morning, when we looked at the design process and revolutions happened within the design industry over time. So just like what I expected PD+C area did not excite me at all, and I did not see anyone in my class had done something that amazed me, making me think that "how did he/she come up with this idea?"

At this stage, I realise I am very interested in subjects that work with our bodies and rapid pace. Fine art during the first week was very relaxing, although it required thinking. But I don't like the idea of working slowly. And for graphic design, I never felt I had any connections to graphic design. I just feel like it is other people's job instead of mine. JFFA excited me the most so far, where I got to work with bodies and my own hands, and it closely relates to fashion. Yesterday was the most exciting ever since my course started. I know I always like fashion, which is the reason why I am here. Although it was a really good opportunity to try things out, and I opened my mind up, I still feel like all these other areas are distractions, distractions that are interesting. And this feeling grows stronger. I hope next week will come sooner, because I know I will not like the project on Thursday either. 

Chair Final Outcome

28/09/17

Today I did a really bad job managing we time and I did not finish my final outcome until the end of class. I wasted an hour on figuring out what exactly we needed to do for the final outcome, because I had the wrong understanding on the project description when I was reading it last night, and I could not remember whether the tutor had mentioned the requirement or not anytime today. She came to me and asked what my idea was and I explained, but neither of us realised I was on the wrong direction. I drew down the storage room by the corner of room 102 in 3 different angels. No students are allowed to enter this room. But this room was cube-shaped and had 2 windows on each wall, so I could see the boxes stored inside. But as I changed my position, some parts become hidden. I thought it was a really good place for seek and hide and wanted to design typography with these words. And I wanted to play around with different angels and make the letters 3 dimensional. I used photoshop to overlay the pictures I took of the storage room in 3 positions, so I can see all the angels on a flat surface. And I drew the letters accordingly based on the lines formed on the photoshopped image. I could not achieve my idea in reality because it was a really large scale to work with. I think I achieved what I wanted for the letters although it was still not yet finished. But I would consider change the background colour from black to a brighter colour since I wanted the tone of voice to be playful instead of gloomy and intense. And I would add colours on my letter to create an relaxing atmosphere as well.

Seek And Hide Process

21/09/17

Project deadline. Today we have to present our final outcome within our group of six people. Before I gave a brief explanation on what I was doing, I got a lot of feedbacks from my peers. They commented that I focused on things people often overlooked or think ugly. I collected them, holes on the wall, and gave another life and beauty to them. They saw my work as simple and deconstructive, made out of a white piece of fabric and imperfect circles caught randomly by people. Some parts, the seams, were torn open when people were finding different ways of wearing it. For this project I choose white fabric as my material because I wanted to mimic the white wall but gave it a stretchy feature so people can interact  with it. I choose white also because of the minimalistic style created when I was collecting photos of the holes. When I think about wall it makes me think of prison, confinement, and rules. It limits our freedom. And holes are like an escape from this prison. Before there were any holes on the white fabric, it was not a "wearable" piece. The act of people cutting holes on it represents how they cope with restrictions. When people wore it, they  tried to find the most comfortable way, so the seams were ripped open, which represents how people break the boundaries to chase for freedom and comfort. But there isn't one way to deal with limitations, so as people were wearing it, they individually found a different possibility. But it was a little bit ambiguous in terms of why I cut the fabric in the shape it is. I hope I could find a more relevant way of designing a shape rather than drew it randomly. 

Maharu wearing Holes on Wall from Open Seam

20/09/17

I stayed at home, thinking about what I could do for my project due tomorrow. It was very hard to relate anything to holes, and I definitely did not want to create something that looked beautiful with circle elements but had no meaning behind it. Then I put on some music just to attract my attention away for a moment because I knew I could not come up with something nice if I push myself when my brain was empty and messy. Pink Floyd really saved me today. I put on The Wall, and it suddenly reminded me of the story behind this album. The wall and break down the wall. I soon sketched out some ideas related to this two concepts. After finalising my ideas I went to buy some white stretchy fabric and cut it out and stitched the pieces together. I then asked my friend to cut holes on it, and ask to put it on. She was a bit confused but did what I asked. 

19/09/17

Today we learnt different methodologies used by artist when they make art and present their ideas from a collection of things. For my collection I brought 14 spools of thread, each with a different colour, different length and width, and a pair of small scissors. We were required to try 3 techniques that we just learnt and make art with what we had. I tried metaphor first because these threads made me think of people as we are all different with different looks, personalities and abilities. To show the difference between these threads, I lined them up randomly. Then I realise if these spools of thread are people, then the thread represent the relationship between us. I put these threads together and they got tangled up very easily. Then with scissors, I thought them as something that could untangle the messy relationship between people. To demonstrate how we deal with the relationships with others, I took a short video unravelling all the threads that got tangled up. Sometimes I could separate them with my hands very easily, but sometimes I had to tear the threads apart. For the worst situation, where all the threads got so tangled up and became a dead knot, I had to use scissors to cut them apart. 

Unravelling of Threads

13/09/17

My group mate asked:" What do you think of when you hear the word 'masochism'?" "Ropes," I said. "NOOOO NOOO NOO NO," she shouted, " you can't think this way."We had barriers linking "masochism", "light" and "hide". So we brainstormed,  trying to find all the possible similarities between them. Instead of thinking "masochism" as "ropes" and "kinky fuckerys", we looked more deeply into the psychological  side of it, such as satisfaction brought by certain role-playing, or mental trauma caused by domestic violence from a young age, or it could be some kind of fetishism involved with the accessories. We found out that these three words all have its bright and dark side. The tremendous pleasure from pain, or the dreadful pain from an unpleasant experience. The brightness and warmth, or the darkness and coldness. Strong and Weak. I got lots of ideas after that and it was really good to work with people who have a very different way of thinking, which leads to different possibility rather than a dead-end. 

Textile Samples

After reading the book "Kiss Of Fire", a series of photography by artist Barbara Nitke after attending a meeting of the oldest BDSM support organization in her country,  I realised that people with sadomasochism are just the same as us. The romantic intimacy they shared and stories told in the book really changed my stereotype towards them. 

11/11/17

Today I did the shooting for my public art project. My friend Xueni was my model as I noticed that she is very talented at modelling, giving me great body shape and many possibilities. It was interesting because we have very different style. The vest that I made is very minimalistic, but Xueni has a really punk and dramatic style, so the key thing was the combination of our styles in terms of the styling, which also added a different flavour to my garment. Of course Xueni was very good at posing, in different angels too, but as a photographer, sometimes I needed to give her some advice or instructions to get the result I want. I think the cooperation between the model and me was really important. 

I asked her to wear it in several ways to form other interesting shapes and silhouettes to the body.

02/11/17

This afternoon we went back to Barbicans to photograph the samples that we made. It was interesting to see the resonance between the architecture and my samples. But instead of solely taking photos of my samples matching with the Barbicans, I want to see them on body as well. I placed them on different parts of my classmates' bodies to see the shapes and silhouettes they created, which attracted my attention away from the textures and colours. 

Collaging Paper Yarns

White Paper Textiles

26/10/17

What have you learnt about how different material behave? Do your fabric choice support/work for your design?

There was a lot to consider when I chose my fabrics since they had to both reflect the public arts I chose and support my design. I included 7 kinds of fabrics in my final piece. I chose leather because it's strong enough to hold the shape by itself but soft enough to create organic silhouettes and beautiful shadows. And I had medium weight sheer fabrics because it's transparent to show my stitch lines going in all the directions and hard enough to pop out, which responses to Block the Square. Cotton had a really rough texture which I loved a lot but I have to use interfacing to give it extra support to get the shape I wanted. But there were some really dramatic parts where even the interfacing was not strong enough to give support, but I chose to leave it natural and comfortable enough to wear as I chose to make this garment very wearable rather than an art piece. 

How was design development integral in your project

It was essential to my garment construction. Every single piece of the garment came from the shapes I developed from my observational drawings on public art. And they helped me with my choice of fabrics. I think it is really important to come up with a piece that has a strong bond to the original inspiration

Why is illustration an important tool for communicating ideas?

Illustration helps me to express a style corresponding to the themes and different functions. Also different media have unique characteristics and representations. 

Mini Exhibition

24/10/17

Today we worked on design development from the 8 sketches inspired by the paper garments we made yesterday. As the class started, we looked at everyone's sketchbooks. Some people did their design development with mix-media, textile samples and collage, which made their sketchbooks really interesting and inspiring. It reminded me to really explore different media when I do my development because I focused too much on the construction of the garments rather than experimenting with different materials, which may free my mind further more. Looking back at my own sketchbook, I focused on the parts and details I liked from these 8 sketches and started arranging them to different places, exploring many possibilities.  Then I came up with 8 more mature designs as an outcome and drew all the interesting shapes appeared in my design and transferred them into 3D by taping them together along the seams. 

1. How has working in paper on the body helped inform your design ideas?

Working in paper really visualized my designs, and it made me see which part worked and which did not. Also paper forms shapes very easily. Without much effort I got the ideal silhouette I wanted. I knew that I would use the papers as patterns to make a "garment", so although I tried my best to keep the shapes original, I altered them slightly on the mannequin to fit the body better.

2. What do you understand by the design development process and how might this manifest itself in future projects?

First of all I think it is really important to design step by step so every design is there for a reason. We were asked to do 8 sketches and then develop 2, which means after we have freed our minds, we are only taking the parts and bits that work. It is about refining our designs, making them better and better each time. And in the future when I look back to my sketchbook, I can see the process clearly, where all my designs come from, how can learn from my process, what I did that's worth keeping and what I can do better.

However, I think I only did experimentation by drawing by not seeing the actual thing myself. I hope next time I can spend more time experimenting with paper, or fabric, to make more possibilities. 

Textile Installation Progress

Textile Installation Movements

10/10/17

Today we worked within a more textile-focused curriculum, working with objects, threads and yarns, creating prints and patterns. Again I had lots of fun drawing and making prints. It was very similar to what we did yesterday in fashion in terms of how we found shapes using different media, different colours, and different techniques within a limited amount of time. But I found that textiles focused more on transforming 3D into 2D and coming up with beautiful prints. I was very inspired by my group members this morning when we were building our objects together; they provided lots of ideas. And in the afternoon, I worked with a girl who was from my group in the morning as well. I put her prints and mine together, and the results were very expected because our prints looked completely different. I had lots of messy lines and hers was more rational, organised lines, yarns and shapes. But the problems was that we both neglected the use of coloured acetates, so when we projected our prints, the colours were very light, which did not create a huge impact visually. If we had incorporated more coloured acetates the colours would be a lot brighter and more visible. And I will consider using yarns and threads in the future because I realised they can produce very free and organic-looking lines. 

Print Projection on NeNe

Xueni Ma Modelling for My Paper Garment

Overlaid Observation Drawing

02/10/17

The presentation was eye-opening. Tutors had the most colourful personalities so far. Their passion was really engaging and made JFFA a really enjoyable course to learn. Through the presentation, I found the close relationship between jewelry, fashion accessories, and fashion design.  It is important for them to have connections with our body forms but extend from the ordinary look. JFFA do not always have to have forms that follow function, but rather they can be decorative, imaginative, fun, and purely good-looking.  The mask on Maison Margiela runway caught my eyes. I loved the drama and theatricality within that piece. It was enjoyable to look at the piece alone. But the other headpiece that drew my attention right away was a very minimal one made out of wood by Marina Abramović. It was so simple but still very persuasive.

Surround, support, suspend were the three keywords given for today's project. I had many ideas related to surround and support because these two words appear very often from designs these days. But for suspend I came up with fewer ideas, but crazier and less common ones. After brainstorming 30 ideas out, I shared my drawing with my group members and they did not have problems understanding what it was all about. They were all very interested in a piece where three spirals were connecting the breasts and reproductive systems of male and female bodies. They thought it was interesting to have a piece that actually has interaction between two bodies instead of solely one. When making the actual design, not only the materials were restricted, time was restricted as well. It was really important to narrow down a huge and crazy idea into something that was possible to accomplish.  And working with limited stuff available created lots of different possibilities to the design. Moreover, our ability to solve problems was essential as well.  My friend modeled my pice very well today which made me very happy and she was very easy to photograph. I got lots of photos that I was happy with because her gestures were really nice and her facial expression was on point. If I had sufficient amount of time I would complete my original idea where two people are required to complete this design. And ideally, I would make everything out of wire and the spirals would be a lot longer. But after looking at other people's final outcome when they were taking photographs, I realized for one-day projects like this where we have only a small amount time, huge pieces with a larger scale made and lesser crafty details would look a lot nicer and compelling. I would consider focusing on the construction rather than the details next time. 

Xueni as My Model

Bai Wearing It as A Headpiece

25/09/17

Today we switched to another area, graphic communication design.  Very different from fine art, in which we got a full week to complete 1 project, we are required to complete three projects, one per day, within the gcd curriculum, because the pace within this industry is always fast. Graphic design gave me an impression that it is a very broad subject, because it relates to many other industries, such as fashion and photography. Our project was to create a "poetic cardboard" in collaboration with a parter and present our ideas in photos or short videos. The words we got are "environmental fabric". We quickly brainstormed 10 ideas, although we were stuck from the beginning. At first very directly we thought of recycled fabric, eco-friendly fashion, or vintage shops. Then we went further to environmental issues such as the waste of water and agricultural energy required during fabric production. We though about making prints on fabric that conveys a message which tells people to pay more attention to problems occurred within the fashion industry. However, it could be quite boring. Then I saw someone from another class was wearing a fur coat with leopard prints on it. It reminded me of the use of animal fibres for making clothes and the cruel fact of how those animals are mistreated for their skin and fur. After a discussion we focused on the idea that usually people just blame on the producers for being inhumane and tell other people not to buy animal products, but actually the consumers should take the same responsibility as producers because they all contribute to the death of these animals. We wanted to express this idea with photographs of hands and fabrics so we went down to the supply shop and bought a piece a white felt. We then used black sharps to draw leopard prints on the white felt to represent all the animals sacrificed for the sake of fashion. With the "leopard skin" we demonstrated how animal skin were manufactured and come to the market. And my partner took photos of my hands scrunching up this piece of felt, representing we consumers are hurting animals. We used photoshop to edit our images, and my hands became redder and redder as the felt was more scrunched up, which represents the blood we get on our hands. In graphic design I think we have to move out of the comfort zone and think out how to make designs that fit the requirement instead of just thinking about things that are very personal, such as what we like. We evaluate the success of our work by how well we represent the given words, and how subtle the techniques used are. This project really broadened our mind. We need to think about something that influences a lot of people, for instance, an issue that people have overlooked or pay a lot attention to. I was always interested in fashion, and I knew a lot of issues within the fashion industry, so for this project, my partner and me focused on the fashion industry rather than problems related to race and gender. 

Environmental Fabric

26/09/17

The topic today was "lost letters". I had to say I had a lot of fun making prints. I got the letter O, which was kind of a challenge because it was so big and took nearly half of the page. For the first sight, I thought it was a running track, but I pushed myself to think further. I glanced at the sketches drawn by a girl sitting on my left, and she really played with the letter v. I wanted to be as playful. Then I thought maybe I could come up with ideas that take advantage of the symmetry the letter O has and played with the idea of illusion. But the result did not impress me. Then I saw the O as a huge mouth that was wide open. I created a fashion character that was talking without stopping, and I drew BLAH BLAH BLAH because there were a lot of rumours within the fashion industry and it is really quite a chaos. The character was wearing a Prada sunglasses and they represented the fashion industry. It looked like she was controlling other people by telling them what to do. For BLAH BLAH BLAH I want to take away the audience's attention from the letter O since it is the lost letter. I had some trouble when I made the print because some letters were quite hard to carve out, so I decided to cut them out on a cardboard and glue them on later on. By the end, I saw some other people's work and realised that we each incorporated our letters in a very different but interesting way. Some works were very simple but created a very nice print and some prints were very carefully and beautifully made. 

To Be Honest, the PRADA looked stupid. 

Lost Letter O Process

Remi Cutting Holes

18/09/17

We started a new project on fine art today about making a collection. I spilled water on my MacBook so today did not start well and my mood was a bit affected to be honest because I put more attention on the life and death of my Mac rather than the project itself. But it was fun making a key collection with everybody's keys and classify them into different groups. Then we made a collcetion related to human body and forms. I always like my ring on my left ring finger so I drew a sketch of my ring finger. Then I noticed the girl sitting at my left actually had 4 rings on her fingers, so I drew a collection of fingers with rings on. Then we started walking around the classroom and look for things that interested us. I originally paid attentions to marks left unerasable on the floor and wall. But the tiny holes caught my eyes. I then started to look for holes on the wall. They all had interesting relationships between each other, forming some geometric and rythmic repetitions. I ended up having a hole collection and I found it very minimalistic. In the afternoon we went to the park, but I got some itchy bug bites on my arm and leg when I try to collect cans hidden in the bushes. I confess I then did not pay much attention to the environment around me. However, the little bumps looked very much like the holes I collected earlier, but I hope the pain will go away soon. Later when we go back to the classroom, we learnt how to make a contact sheet as a documentation of our experiments and research. I put all the holes I got into thumbnails because I did not get many photos that I liked in the park.

Hole Collection Contact Sheet

14/09/17

Once the class started we got to see a few people's work as examples on how they researched during the two days of self-direct study. It was not surprising that  we all did something in our way. Some people preferred working on sketchbooks, and experimented with drawings and threads. Some people tracked their trains of thought on a notebook they carried with them, writing down lots of words and ideas, in both English and their native languages. Some people loved Google and threw images on Workflow and wrote really nice paragraphs about the images. I spent two days finding books and took photos of information I found useful from the books in the library. I think I will try a few other ways of researching to see which way works the best to me.  After that, again we needed to come up with things very fast. Although my drawings still looked very raw and immature, the ideas were more relative to the three words with some background knowledge. But to be honest, I am still not accustomed to doing things quickly because I hate not having enough time to come up with ideas that are thoughtful and make sense. Later when I saw other people's work I noticed that our ideas are all different in terms of what the designed object is. Some people designed clothing, some people designed a shop and architecture, some people looked more into the conceptual side of this project and came up with something very fine art based. I drew a piece of clothing and my classmates said that I did a really good job considering the three words, but the wearability and the meaning behind it were still a question. I will definitely have some thought on those and find time on my own to improve my ideas. 

12/09/17

I started my research on the three words and got introduced to the library today. I tired to find books related to the process "hide" on MyUAL app but did not get any results. However, I found it very helpful for me to broaden my mind and start make further elaborations on "hide". I started thinking about being invisible and unseen, which is what happens when an object is hidden. Then it reminds me of chameleons being unnoticed when they change their colours to the environment that they are in. Luckily I found a book about camouflage and mimicry done by animals. It gave me lots of inspirations on seeking to escape notices on various ways. 

11/09/17

First day at university, gained some followers on Instagram although remembering names was challenging.It was very different yet exciting to be at a such creative and refreshing environment with students from all over the world. 21 languages are spoken within a class of 50 people.My viewpoint on how to create art and design changed when my tutors shared ideas on their way of seeing art. Doing everything perfectly and beautifully is definitely wonderful; however, what's more exciting is the crazy thoughts and ideas, getting unexpected outcomes during process and experiments, whether this outcome is successful or not. Moreover I realized that I should constantly train my brain to think outside the box as nobody is born to do so. By the end of class we did a quick brainstorming exercise on designing 5 buildings related to the three words we were given beforehand. We did some research on the words and shared thoughts but still could hardly think of any ways to link them together. It was for sure a bit intimidating to me at first because I'd never come up with something so fast. But then I noticed that it was very useful to come up with ideas and draw them down right away although things might get off the topic sometimes. Next time I would consider start thinking more early,maybe right after I get some sort of themes and topics. However it was good to see other people's work because everyone's got his own advantages and disadvantages, and we can learn from others by seeing how we do things differently.

18/10/17

I went to Saatchi Gallery today.  It was the most interesting and colourful gallery I have visited so far in London, exhibiting multi-media work by contemporary artists. I especially loved Maurizio Anzeri's work. He embroidered directly in vintage photographs. The colour contrast between the colouful threads he used and the plain colours of yellow, black and white of the old photos gives the work a new life. By sewing patterns, a new, geometric dimension is created. 

'Penny', Maurizio Anzeri,2009

'Stage Curtain', Makiko Kudo, 2011

I loved Kudo's oil paintings. I think they are a perfect representation of the purity of children's mind.  Her painting are fanciful, avoiding the reality. When I looked at her paintings, I was pulled into the dreamy world she created, like running away from all my worries and troubles. Without too much fancy drawing techniques, her paintings are strong on their own.  

17/10/17

I went to V&A again because last time I did not get a chance to see the latest exhibition Opera: Passion, Power and Politics. The exhibition was divided into different sections, each about an European city where Opera takes a huge part in past 400 years.  I was fond by the music introduced, because each section had a style different from another. each sound  was so beautiful that I read the introductions which I don't read usually just to finish listening every piece. I learnt that opera was a reflection on the era, marking the social, political, and economic events that shaped the cites. The 1861 Paris version of Richard Wagner’s Tannhäuser, being very different from all the other ones,played in 8 TVs,  was my favourite."The story centers on the struggle between sacred and profane love, and redemption through love."  I think it can still be called avant-garde even now. Extreme depictions of sex were attempted in music. The scenes were striking and erotic, and the costume was very successfully designed, bold and bloody. It was so new to me and I could not believe it was from the 19th century. 

Evening Bodice from the Empress Engénie's Wardrobe

399 Days (Close Up), Rachel Kneebone, 2012 – 2013

Last time I saw Kneebone's procelain sculptures was at White Cube. I loved her work right away but I did not find out who the artist was. Her sculptures, having a religious and classic style,  are very different from work by most of contemporary artists. In V&A, her work, 399 days, was displayed among all the masterpieces that have lasted for ages, but there was something common shared between the two.  399 days was very beautifully and carefully made. The details made by her looked very delicate with all the cracks and ruptures,  but the heaviness of the use of porcelain created strength. There was a lot of emotions going on on the sculpture - each piece of porcelain was story-telling.

04/10/17

I finally went Wellcome Collection as people around me had been talking about it. But this gallery did not interest me much. The exhibition on the ground floor was about how graphics can save our lives. I did not looked at the things being exhibited very carefully, and the room was really dark. Only a pink chair with patterns of rings of circles draw my attention. And the exhibitions on the first floor did not interest me much either. The only two things I actually looked at carefully was a work by Heidi Kerrison. The other one was a video that documented the selected people's facial expressions when they were in kindergarten and when they grew up. The difference was significant. When they were young, they were being very expressive, but when they grew up, they became very sober, calm, and quiet.  

'Heidi X: The True Horror of Cloning', Heidi Kerrison, 1998

In this collage, Heidi Kerrison combines handmade Matryoshka dolls, stitching, oil pastel with mechanical reproduction to "confront society's fears regarding developments in genetic engineering." As an artist, she questions the definition of originality in art if the value of individualism is destroyed by cloning. I think this work is visually appealing as its own, and the stitching around the eyes and red cheeks made it unique and original. To me it successfully expresses the horror when everyone "looks" the same. 

01/10/17

Shaping Fashion. I went to the first exhibition showcasing garments and hats crafted by Balenciaga in the UK at V&A museum today. Balenciaga today challenges our aesthetics. Although what I saw at the museum might look mundane compared to today's fashion industry, it was revolutionary back to 1950s. He set the tone for fashion today and changed female silhouette that no one had done before. His sketches, patterns, photographs, and fabric samples were also showcased, which provided a deeper look into the world of Balenciaga. His works were simple but structural, with subtle details, which really showed that he was looking around each garment when he designed. 

Silk Taffeta Evening Dress, Cristóbal Balenciaga, 1955

Their Mortal Remains. The Pink Floyd exhibition showcased one of the most influential bands' stories, music, and staging, films, and graphics,  including all the artists they have collaborated with such as graphic designer Storm Thorgerson, as a celebration to mark their 50-year anniversary. As a fan, I was really happy to know the stories and concepts behind each album, each song, and each album cover. It really created an atmosphere that was so real that I felt like I traveled back to Pink Floyd's era. 

Light Bulb Suit, Storm Thorgersen, Delicate Sound of Thunder

09/22/17

I went to the Fashion & Textiles Museum for the Anna Sui Exhibition. I like how Anna Sui has that classic style which never goes out trend since I was a young age, simpliy because I think she never tries to follow any trends but rather develops a unique style of her own. Music and freedom and a bit of weirdness are always motifs in her collections. The museum exhibited her collection from different time periods and introduced where her inspirations came from. It also shoecases artists like illustrators and photographers who collaborated with Anna,and her cosmetics series. It was really moving to see her story from her dream of becoming a fashion designer, inspired by the dresses that her mom and her aunt wore on a wedding, to how she found that going to Parson was the key to fulfill her dream of becoming successful. Then in a video she talked about how her first show was the most sentimental one because she did not know what was going to happen. She even cried after the show and was really thankful for her friends support. It was like Anna Sui was sitting next to me and share her life, emotions, and experiences with me.

17/09/17

I went to White Cube today with a friend. After visiting three galleries I found out that each gallery had something special. My impression on this one was that White Cube was young, creative, with lots of fresh blood, and it was very contemporary and surrealistic. I liked it a lot because I saw lots of things new.  Dreamers Awake was the theme for now and I found lots of works related to forms and female bodies.  Still thinking the relationship between the two before I give up and go onto the website. It was a little bit hard to find brief introductions on artworks and artists because there were only a few lines of quotes high up on the wall but I was very sure that not every work was given a credit in the room. At least I did not find all. But in another way I gave myself more freedom on interpreting the artworks based on the feelings I got. 

 

'And So I kissed You', Tracey Emin Collaboration with Louise Bourgeois 2009-2010

16/09/17

Last time I came to Tate Modern as a traveller was two months ago. I remembered I loved a cube mirror with circles on it and inside it is green and an infinite number of myself reflected on circle mirrors. I came to Tate hoping to see it again and I told myself to definitely look at the name of the piece and the lovely name of the artist. But guess what when I found that this artwork was still there, I was too happy and I looked it inside and out and I took photos of it. I was just too enchanted and loved it so much that I forgot about finding information about it.That happiness stayed with me until I left the building. And then I was mad at myself. But I loved the feeling it gave me, maybe because of the silver and green, or the organic shapes of square and circle. And it to me resembles infinity with an endless energy. I promise I will go back to Tate Modern very soon, just to find out who created this amazing piece of work. But still, I see lots of new works which I think will be interesting not only as the way they are now but also transformed into textile design. 

'Suasum", Ivan Picelj, 1965

15/09/17

Finally got my bank account created, so happy I no longer need to carry coins everyday and look for them in every pocket. Heard the name " the Wallace Collection" on Thursday's class, so there I was. I got so amazed by the walls full of beautiful classical oil paintings. I saw the real real "Swing" in a dreamy pink Rococo room and it reminded me of my teacher who once used "Swing" as an example for an era when women did not wear underwear, which made me laugh when I think about it. I found paintings are really a good track of time and people's aesthetics. Women changed style on the way they dress up. Body shape changed. Contrast on colours changed. But they all showed a sense of elegance, happy and sad, and also prosperity